Five String Fiddle Finally Complete

Finally Done!

This one took awhile: Lots of sidetracks and other projects to complete. But it is finally done!

Back, Neck and sides

The back, sides and neck are from the “scrap” left over from building that five-string double bass last summer. This is the “sister-instrument” to the commission I built last winter, from the same wood-source, but the other side of the bass.

This and several other of my instruments are all from a log given me by the late Terry Howell. I have made one cello, one bass and several five-string fiddles from the wood of that log, and I still have a lifetime supply, thanks to Terry’s generosity. (see that story, here)

Front Plate

The front plate, however, is a first for me: Douglas Fir! This is unusual, but not unheard of: there are a number of professional instruments by Otto Erdesz out there being played whose front plates were made of Douglas fir. Will I always use it? Nope! But this turned out very well indeed! I am more confortable using spruce, and probably will continue to mostly use spruce, but it was quite an eye-opening experience to try the Douglas Fir.

The sound is very big, with a very clear, deep C-String, and perfect balance across all five strings. This fiddle will “cut through the mix” in a band, but can also play pianissimo when needed.

Overall, I am very well satisfied with the final result on this fiddle. I am confident that a buyer will find it a thrill to play.

Front view of handmade five-string bluegrasss fiddle.
Front is made of Oregon Douglas Fir: this is unusual, but not a first. Otto Erdesz used to use Douglas fir for front plates.

 

Side view of handmade 5-string bluegrass fiddle, made of Oregon Big Leaf Maple and Oregon Fouglas Fir.
Sides and neck are made from Oregon Big Leaf Maple. I have the entire log they came from.

 

Back view of Oregon handmade five-string fiddle, or Oregon Big Leaf Maple.
Back plate is also that same Big Leaf Maple.

 

Scroll of handmade 5-string bluegrass fiddle by Chet Bishop.
The Scroll, too, came from that same log.

 

Thanks for looking!

 

2021: Two New Five-String Fiddles on the Way

Two New Handmade Five String Fiddles Begun

One Guarneri-Style, One Oliver

The last two commissions were a five-string on the original Oliver Pattern and a five-string on the slightly-wider Guarneri pattern. Both sounded great, and both customers are very happy. So that left me wondering which one to do next. The obvious answer: Both!

 

Five String fiddles Guarneri and Oliver, side by side.
Five String fiddles Guarneri and Oliver, side by side.

 

I’m trying a new neck and scroll design on the Guarneri model. I hope it works well, as I really like the graceful look.

The instrument on the left (modeled after the 1735 “Plowden” Guarneri, with modifications to acommodate five strings) is  left-over Oregon Big Leaf maple from building a five-string double bass, last year (same as the Andy Pastor commission fiddle.)

Heavily Flamed Maple for the back plate.
Heavily Flamed Maple for the back plate.

 

The scroll, also Oregon Big Leaf Maple, is from a tree on the property where my wife grew up, as are the ribs.  The back is from a tree on the next ridge of hills west: about ten miles by road, probably three miles in direct line-of-flight. (Same one from which the recent double bass was taken, as well as several other instruments I have made. The late Terry Howell, of Howell Tree Farm, gave me the entire log, so I have a good supply.)

Heavily flamed maple neck in progress.
Heavily flamed maple neck in progress.

I also decided to try an experiment: This will be the first time I have attempted a 5-string bluegrass fiddle with a belly of Douglas Fir, as opposed to Spruce. Otto Erdesz was famous for using it successfully in many of his instruments, so, when a friend gave me some very straight, split Douglas Fir, I decided to make the attempt, on the Guarneri model. It is quite dense compared to spruce, but it rings like a bell, when I tap it with my finger, so I think it will be good.

Bookmatched Douglas fir top plate with Guarneri-model garland.
Bookmatched Douglas fir top plate with Guarneri-model garland.

 

Douglas Fir Top Plate arching complete.
Douglas Fir Top Plate arching complete.

 

The back, ribs and scroll on the right-hand instrument above (the Oliver-model) are all from the tree on my Mother- and Father-in-law’s property. The belly, as usual, is Sitka Spruce.

Spruce belly, Oregon Big Leaf Maple back and scroll.
Spruce belly, Oregon Big Leaf Maple back and scroll.

 

So, that is where things stand, today:

All the parts for the two new 5-string fiddles.
All the parts for the two new 5-string fiddles.

Slow Start due to Repairs and other Responsibilities

This has been a slow start: 2021 saw me needing to repair my ancient bandsaw, and my drill press had succumbed to the misguided attention of a marauding mouse. (The little wretch had crawled up through the ventilation holes of the electric motor and chewed off all the insulation from about 4″ of wire!)

The bandsaw required disassembly and drilling out a worn, threaded hole, and retapping for a helicoil. The machine will probably outlast me, now.

The drill press motor had to be taken apart and a new wire soldered in place. (A friend did that one for me. I really lack confidence when it comes to electric motor repair.) Fortunately, the damage was limited to just that one wire. (Maybe the plastic insulation gave the mouse a belly-ache.)

At any rate, I now have both machines running again, and I was able to saw out the profiles for the remaining plates as well as drilling the pilot holes in each scroll.

I should be able to get more done, now. (Gotta prune the apple-trees, too… Spring is on the way!)

 

Thanks for looking.