Five String Fiddles in the White

“Shop-made” 5-strings

Not my preference, but…

There are folks who want a five-string fiddle, and who can’t justify the expense of a hand-made instrument, made by an American luthier. I completely understand that, so I am going to try an experiment of sorts: I bought two instruments in the white …unvarnished, incomplete, etc.  One is a five-string violin (standard size), with a one-piece back, and the other is a 15″  5-string viola.

five string fiddles in the White
A 5-string violin and a 15″ 5-string viola.

The viola looks much larger than the violin in this photo, but, in reality, the body is 1-1/16″ longer than that of the violin, with a proportionately larger neck and scroll.

Possible Glitches

I can see some potential problems, and I will see whether I can correct them before completing the instruments. There are certain details necessary to a good instrument that have been overloooked in these two. Specifically, it is needful to arrange the locations of the pegs in such a way that the higher strings do not rub on the pegs that are lower in the box. Both of these instruments fail that test pretty badly, but other than that, they seem to be very well-made, if possbly a little heavy.

Up until now, I have only bought standard, four-string instruments-in-the-white, and they have all turned out quite well. I hope I can make these two turn out to be great instruments, too, but…as I said, this is an experiment, of sorts.

At any rate, I will go over them carefully to try and bring them up to my standards as far as those things go. The workmanship is very good, though: I hope they sound great. I guess we will have to wait and see.

Shop Instruments, as a Principle

The advantage of using an imported, unfinished instrument like this, is that it drastically reduces my labor investment, and I can pass the savings on to customers who want a good instrument, but may not want to spend so much.

I label my shop instruments as “Atelier Chez les Eveques“, (the Shop at the Bishops’ Place.) Unlike my handmade personal instruments, they are not signed or numbered. But they are good instruments, and all who have bought them have been well-satisfied.

I will show progress on these two instruments as time permits. (We have had a host of home-repairs to worry us, lately….)

Thanks for looking.

Linings

Why Linings?

What is the use of linings?

In most of the members of the violin family there are narrow strips of wood glued to the inside of the ribs, all around the edges, called linings. On some double basses the linings are actually on the outside of the ribs, following the edge of each rib. The purpose is the same in either case: it is to strengthen the very fragile rib material as well as tripling the thickness of the gluing surface at the edge of the rib, so that the rib garland can be securely attached to the front and back plates, also making it possible to remove those plates without breaking the ribs, when repairs are needed.

Wood for linings

I like to use willow for my linings when it is available, because it is easy to bend and fit to the ribs, as well as being very easy to carve, when it is time to taper those linings, and make them fair into the inside surface of the rib structure. Many makers use spruce, and I have done so as well, but have decided that I prefer willow. In fact, specifically, when I can get it, I prefer weeping willow above anything else I have tried.

Installing linings

So…I arrived home fairly tired this evening, but I fired up the glue-pot, and prepared to install some linings: You can see the center bouts on the right-hand instrument’s ribs are already in place, making the edge 3 mm thick, instead of barely 1 mm.

When I pre-form the linings, I begin by using my bandsaw to cut a “plank” of willow, 3 mm thick, then thinning it to a very consistent 2 mm thickness. I use a “wheel-style” marking gauge, set to 7 mm width, to deeply score the “plank” along one edge, then flip it over and score the opposing face, effectively cutting the rib free from the “plank.”  Then all I have to do is bend those linings blanks around my bending iron, and produce a pile of “ready-to-use” linings for my violin ribs (see below.)

linings
Rib linings in the 14-7/8″ viola and one of the violins. In the foreground you can see the linings I have pre-formed to approximately the required curvature .

I use a small sharp knife and a tiny gouge to make a small mortise in the junction between blocks and ribs (12 places on each face of the garland.) I only use hot hide glue on instruments, but the hot hide glue cools and gels rather quickly, so I cut the pre-formed linings to the proper length, and fit all of them into the garland, dry.  One by one, I then remove each lining, coat it liberally with hot hide glue, and quickly re-insert it into the tight-fitting place prepared for it.  I pinch hard, with my left forefinger and thumb, to squeeze the joint tight, and then use my right hand to apply a spring clamp. I move over a half-inch, and repeat, until the whole lining is tightly secured with glue and clamps. The little spring-clamps will hold the freshly glued linings in place until the glue hardens.

The same principle works for larger instruments, but the ribs are bigger, and I use bigger clamps.

Anyway, that is all I accomplished this evening. Possibly tomorrow I will get the rest of the linings into the other instruments.

Once the linings are in place, the ribs are a good deal less fragile, and less prone to breakage. That is a relief, as they are really easy to break, without the linings.

Follow along and see the whole build!

Thanks for looking!

Aha! Blog posts are now visible!

I am grateful to the patient staff at NameCheap, who walked me through to a satisfactory conclusion to the problem I have been having with this website.

I had inadvertently set upwhat amounted to a continuous loop, whereby the posts went to the page to which they were originally assigned, but then were redirected to another page, and back again…at least, that is how I now understand the error.

At any rate, now, when a visitor opens the site, they see the home page, and then can see at the top of the page an item called “Blog Posts.” And, there they are!

So…you can expect to see more progress reports and photos, as the days go by.

I should have a 14″ five-string viola nearly finished in the next week, or so, as well as good progress on a 14-7/8″ five-string viola and two five-string violins (fiddles).

On the other hand, we have company coming next week, so there is much to do in preparation for that visit, so perhaps it will take a little longer. Either way, the whole website is now functional, so I am happy.

🙂

 

Thanks for looking.